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Associate Professor Robin Peter Bond

Contact

Department: Humanities and Creative Arts

Email: robin.bond@canterbury.ac.nz

Office:

Languages: English, Ancient Greek, Latin

About
Research / Creative works
Projects
Methods & Equipment

Fields of Research

  • Translation / direction /production of ancient drama.
  • Roman satire

Researcher Summary

Robin's doctorate was on Stoic influence on the Satires of Horace, an area of study which  with Roman Satire has been a source of journal articles and conference presentations  over years. An interest in Classical Drama led to a large number of productions both in Christchurch and in Western Australia. Among Robin’s recent productions was Aristophanes’ 'Frogs' in his own translation in Christchurch in 2005. A production of his translation of Sophocles' 'Philoctetes' was directed by Peter Falkenberg of TAFS  with Robin in the title role  in late 2006. A co-production of Euripides' 'Cyclops' was presented with Patrick O'Sullivan at the ASCS conference in Christchurch  2008. Robin also translated, directed and acted in a production of Euripides' Iphigeneia in Aulis' in December 2008. In 2009 Robin presented a paper 'Petronian Poems: a Key to the Satyricon' at a Dunedin conference, 'From Nero to Hadrian' and a paper on 'The Augustan Utopia' at The Pacific Rim Seminar in July at University College.  This was published in 'Scholia' in 2011. He translated / directed 'Prometheus Bound' in December 2009, produced /directed his  translation of Aristophanes' 'Wasps' for the Platform Festival in May 2010, this a source for ASCS pa. In 2011 he translated and directed Euripides' 'Hippolytus' and Seneca's 'Phaedra', published in 'Prudentia' 'Fronting up to Seneca's 'Medea'. An article on directing/translating the 'Oresteia' was in the electronic journal 'Electra' (Patras University).

Subject Area: Disciplines

  • History, History of Art, Classics and Curatorial Studies: Ancient Greek; Ancient Roman; Classical Language and Literature; Classics
  • Theatre and Dance, Film and Television and Multimedia: Performance Studies; Theatre and Dance

Resources

  • Staff webpage

Research/Scholarly/Creative Works

  • Bond RP. (2017) Gods, heroes, pottery and plays. In Morrison GL; Minchin-Garvin PMA; Elder TVA (Ed.), We could be heroes: The gods and heroes of the ancient Greeks and Romans: 83-90. Christchurch: Canterbury University Press. (Chapters)
  • Bond RP. (2016) The figure of Prometheus and the origins of civilization. The Rutherford Journal 5(in press). (Journal Articles)
  • Bond RP. (2012) Aristophanes' Lysistrata. Platform Arts Festival, Christchurch, New Zealand. [Translation and Direction]. (Performances)
  • Bond RP. (2012) Horace's Self-Censorship. University of Adelaide, Australia: Pacific Rim Latin Literature Seminar, 20-24 Jul 2012. (Conference Contributions - Other)
  • Bond R. (2011) Phaedra by Lucius Annaeus Seneca. Elmwood School Community Auditorium, Christchurch, New Zealand. [Translation and direction]. (Performances)
  • Bond R. (2011) Playing the Fool: Philocleon and the Wasps in Christchurch, May, 2010. University of Auckland, New Zealand: 32nd Annual Conference of the Australasian Society for Classical Studies (ASCS 32), 24-27 Jan 2011. (Conference Contributions - Other)
  • Bond R. (2011) Translating and Directing the Oresteia of Aeschylus. Electra 2011(1: The Atreids): 1-22. (Journal Articles)
  • Bond RP. (2011) An Introduction to Roman Satire. Trent University, Ontario,: Guest Lecture to Department of English. (Oral Presentations)
  • Bond RP. (2011) Playing the Fool: Aristophanes' "Wasps" in Christchurch, New Zealand. Trent University, Ontario, Canada: Public lecture. (Oral Presentations)
  • Bond RP. (2011) The Interpretation of Sophocles' 'Oedipus the King'. Trent University, Ontario, Canada: Cultural and Theatre Studies Guest Lecture. (Oral Presentations)
  • Bond RP. (2011) A. Lianeri and V. Zajko (Ed.), Translation and the Classic: Identity as Change in the History of Culture. Oxford and New York: Oxford University Press, 2008; xii+435pp. The Classical Review 61(2): 621-623. http://dx.doi.org/10.1017/S0009840X11001934. [Book Review]. (Other)
  • Bond RP. (2011) Phaedra, by Seneca. Elmwood School Community Auditorium, Christchurch, New Zealand. [Translation and direction]. (Performances)
  • Bond R. (2010) The 'Wasps' Talk. Philip Carter Auditorium, Christchurch Art Gallery, New Zealand: Platform Arts Festival 2010. (Oral Presentations)
  • Bond R. (2010) Euripides' 'Hippolytus' theatre production. University of Canterbury, Christchurch, New Zealand. [Theatre - Greek Tragedy; Translation, Direction, Set & Lighting Design]. (Performances)
  • Bond R. (2010) The Augustan utopia of Horace and Vergil and the imperial dystopia of Petronius and Juvenal. Scholia: Studies in Classical Antiquity 19: 31-52. (Journal Articles)
  • Bond R. (2010) The Wasps, by Aristophanes. Old Queen's Theatre, Christchurch, New Zealand. [Translation, direction and acting]. (Performances)
  • Bond R. (2009) J. Michael Walton, Found in Translation: Greek Drama in English. Cambridge: Cambridge University Press, 2006; vii+320pp. Modern Philology 107(2): 154-158. http://dx.doi.org/10.1086/647996. [Book Review]. (Other)
  • Bond R. (2009) Petronian Poems: An Interpretative Key? Dunedin, New Zealand: Australasian 'From Nero to Hadrian' Symposium, 21-23 Jun 2009. (Conference Contributions - Other)
  • Bond R. (2009) Prometheus Bound, attributed to Aeschylus. Old Queens Theatre, Christchurch. [Translation and Direction]. (Performances)
  • Bond R. (2009) Utopia/Dystopia in Horace, Vergil, Petronius and Juvenal. University College London, UK: Pacific Rim Roman Literature Seminar 2009: Utopia and Dystopia in Roman Literature, 7-9 Jul 2009. (Conference Contributions - Other)
  • Bond R. (2009) Horace's Political Journey. In Dominik WJ; Garthwaite J; Roche PA (Ed.), Writing Politics in Imperial Rome: 133-152. Leiden and Boston: Brill. (Chapters)
  • Bond R. (2008) Pots, Poetry and Painting. University of Canterbury, Christchurch, New Zealand: College of Arts Platform Festival of Arts, 28 Jul 2009. (Oral Presentations)
  • Bond R. (2008) Iphigeneia in Aulis, by Euripides. University Theatre, Christchurch, New Zealand. [Translation and Direction]. (Performances)
  • Bond R., Salzmann E., Kraemer W., Boyd A., Westenra S., Caukwell B., Larsen S., Buckton R., Le Cocq J. and Lever R. (2008) The Silver Swan and Other Animals: A late afternoon platter of early music and poetry. Performed by R. Bond (poet), E. Salzmann (cello), W. Kraemer (recorder), A. Boyd (soparno), S. Westenra (soprano), B. Caukwell (bass), S. Larsen (violin), R. Buckton (Renaissance flute/recorder), J. Le Cocq (lute/archlute), R. Lever (bass viol), D. Smith (lute). Platform Arts Festival, Great Hall, The Arts Centre, Christchurch. (Performances)
  • Bond RP. (2008) Fronting up to Seneca's "Medea". Prudentia : 63-78. (Journal Articles)
  • O'Sullivan P. and Bond R. (2008) Cyclops, by Euripides. Translator, Actor and Co-Director: Old Queen's Theatre, Christchurch, New Zealand. [Live theatre]. (Performances)
  • Bond R. (2005) Aristophanes' "Frogs" for Free Theatre Inc. (translator, director and performer). The University Theatre, Christchurch, New Zealand. (Performances)
  • Bond R. (2005) Aristophanes' Frogs: A Game of Two Halves. Dunedin, New Zealand: Australasian Society for Classical Studies (ASCS) Conference XXVI, 30 Jan 2005. (Conference Contributions - Other)
  • Falkenberg P. and Bond R. (2004) "My Epitaph", by Herbert Archtenbusch, role of Amenhotep, Goethe Institute/Free Theatre, co translator of German text. Old Queens Theatre, Christchurch, New Zealand. (Performances)
  • Bond RP. (2003) Performative aspects of Cicero's Rhetoric. University of Auckland, New Zealand: Cicero, 1 Jun 2003. (Conference Contributions - Other)
  • Bond RP. (2003) Performing Cicero's Rhetoric. University of Stellenbosch: PacRim Latin Literature Seminar: Performance in Latin Literature, 1 Jul 2003. (Conference Contributions - Other)
  • Bond RP. (2003) Report on PhD thesis "Cassandra: Character and Dramatic Function in Fifth Century Attic Tragedy".. (Reports)
  • Bond R. (2002) "Fearful Friendships": Terror in the Historiography, Drama and Satire of First Century CE Rome. In Berendse GJ; Williams N (Ed.), Terror and Text: Representing Political Violence in Literature and the Visual Arts.: 103-118. Bielefeld: Bielefeld: Aisthesis. (Chapters)
  • Bond R. (2002) (Translation and Direction). (2002, October). "Sophocles' Antigone". [Free Theatre/ Dept. Classics production]. Christchurch: University Theatre, Arts Centre. . (Performances)
  • Bond R. (2002) Translating and Directing Sophocles' "Trachiniae". University of Sydney, Australia: Greek Drama Seminar, 1 Jan 2002. (Conference Contributions - Other)
  • Bond RP. and Hall J. (2002) Performative Elements in Cicero's Orations: an Experimental Approach. Prudentia 34(2): 187-228. (Journal Articles)
  • Bond RP. and Hall J.(2002) Performing Cicero's Speeches: an Experimental Workshop [Videotape]. . (Film/Video)
  • Bond R. (2001) Urbs Satirica: the City in Roman Satire with Special Reference to Horace and Juvenal. Scholia 10(2001): 77-91. (Journal Articles)
  • Bond R. (2000) (Translation and Direction) "Sophocles' Trachiniae, re-entitled The Well-Intentioned Wife". Department of Classics & Free Theatre, Christchurch, New Zealand. (Performances)
  • Bond R. (2000) Horace as Survivor and Critic. University of Tasmania, Hobart, Australia: Pacific Rim Latin Literature Seminar, 1 Jan 2000. (Conference Contributions - Other)
  • Bond R. (1999) (Translation and Direction). (1999, June 19 - July 29). "Seneca's Medea". [Classics Department/Free Theatre production]. University Theatre. . (Performances)
  • Bond R. (1999) (Translation and performer). (1999, November). "Euripides' Bacchae - Bakkhai/Diotekk". [Free Theatre]. Christchurch: Ministry Night Club. . (Performances)
  • Bond R. (1999) Fronting up to Seneca's "Medea". Temple University, Rome Campus: Pacific Rim Latin Literature Seminar, 1 Jun 1999. (Conference Contributions - Other)
  • Bond R. (1999) Plautus' "Amphitryo" as Tragi-Comedy. Greece and Rome xlvi(No.2,October): 203-220. (Journal Articles)
  • Bond R. (1999) The Ethical Imperative in the Satirical Entertainments of Horace. AUMLA : 1-12. (Journal Articles)
  • Bond R. (1998) Horace on Damasippus on Stertinius on. Scholia n.s 7: 82-108. (Journal Articles)

Future Research

  • Essays to accompany translations of Sophocles' plays with view to publication.
  • Translation, Direction of Aristophanes' 'Lysistrata, September 2012
  • Verse Translation of the 'Punica', an Epic poem by Silius Italicus.

Key Methodologies

  • Literary Analysis of Roman Satirical Literature
  • Translation from Ancient Greek and Latin texts
  • Direction of Own Translations for the Modern Stage
  • Skills as an Actor
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