Research/Scholarly/Creative Works

Authored Books

• Wiles MM. (2012) Jacques Rivette. Springfield: University of Illinois Press. 208pp.

Edited Volumes

• Wiles MM (Ed.) (2017) Special Commemorative Issue: Jacques Rivette and Chris Marker http://issue12.thecine-files.com/. The Cine-Files (12)Savannah, GA, USA.

Chapters

• Wiles M. (2021) Marcel Ophuls: Rapporteur, Raconteur, Provocateur. In Abecassis M; Block M (Ed.), French Directors: Portraits de Cinéastes Dublin Ireland: Phaeton Publishing Limited.

• Wiles MM. (2016) Moving Backstage. In Nield A (Ed.), The Jacques Rivette Collection: 8-26. Shenley: Arrow Academy.

• Wiles MM. (2015) The Film Portrait of a New Zealand Storyteller: Gaylene Preston's 'Home by Christmas'. In Goldsmith B; Ryan MD; Lealand G (Ed.), Directory of World Cinema: Australia and New Zealand 2: 259-265. Bristol: Intellect.

• Wiles M. (2007) Narrating the Feminine Nation: The Coming-of-Age Girl in Contemporary New Zealand Cinema. In Shary T; Seibel A (Ed.), Youth Culture in Global Cinema: 175-188. Austin: University of Texas Press.

• Wiles MM. (2002) Sounding Out the Operatic: Jacques Rivette's "Noroit". In Joe J; Theresa R (Ed.), Between Opera and Cinema: 199-222. New York: Routledge.

• Wiles MM. (2000) The Fascination of the Lesbian Fetish: A Perverse Possibility across the Body of Dorothy Allison's "Bastard Out of Carolina". In Thomas C (Ed.), Straight With a Twist: Queer Theory and the Subject of Heterosexuality: 146-162. Chicago: University of Illinois Press.

Journal Articles

• Wiles MM. (2017) 'Scenes from a Parallel Life': Jacques Rivette and Marguerite Duras. The Cine-Files (12): 27.

• Wiles MM. (2016) From the Brontëan Text to the Tableaux: Jacques Rivette's 'Hurlevent'. Senses of Cinema (79).

• Wiles MM. (2012) The film portrait of a New Zealand storyteller: Gaylene Preston's HOME BY CHRISTMAS. Illusions 43/44; September 2012: 8-12.

• Wiles M. (2011) L'amour fou: A Revolution in Realism, Reflexivity, and Oneiric Reverie. Senses of Cinema 61.

• Wiles M. (2010) In "Permanent Revolution": Jacques Rivette's Out 1: Noli me tangere. Australian Journal of French Studies XLVII(2): 146-159.

• Wiles MM. (2001) Re-staging the Feminine in Jacques Rivette’s "Haut bas fragile" (1995). Studies in French Cinema 1(2): 98-107.

Conference Contributions - Other

• Wiles MM. (2018) The Movement and Music of Céline Sciamma's BANDE DE FILLES. Toronto, Canada: Society for Cinema and Media Studies Annual Conference, 13-18 Mar 2018.

• Wiles MM. (2017) Duras and Rivette: Their Friendship, Their Films. Arts Centre, University of Canterbury, Christchurch: Séminaire inter-universitaire des Études françaises en Nouvelle-Zélande, 7-8 Dec 2017.

• Wiles MM. (2016) Scenes from Parallel Lives: Marguerite Duras and Jacques Rivette. University of Sydney, Sydney, Australia: Colloque International: "Marguerite Duras et les Arts", 29 Jun-1 Jul 2016.

• Wiles MM. (2015) BOYHOOD: A Coming-of-Age Story. San Antonio, TX, USA: 62nd Annual Meeting of the American Academy of Child and Adolescent Psychiatry, 26-31 Oct 2015.

• Wiles MM. (2015) Memory and Place in Vincent Ward's A STATE OF SIEGE (1978) and VIGIL (1984). Queensland University of Technology, Brisbane, Australia: The XVIIth Film and History Association of Australia and New Zealand (FHAANZ) Conference, 1-3 Jul 2015.

• Wiles MM. (2015) Reimagining Frame: Memory and Place in Vincent Ward's A STATE OF SIEGE. Massey University, Wellington, New Zealand: Memory Research In Aotearoa/New Zealand Symposium, 12-12 Dec 2015.

• Wiles MM. (2014) Coming-of-Age on the Cusp of History: Olivier Assayas's APRÈS MAI. Melbourne, Australia: 22nd Colloque of the Australian Society of French Studies, 3-6 Dec 2014.

• Wiles MM. (2013) The Film Portrait of a New Zealand Storyteller: Gaylene Preston's HOME BY CHRISTMAS. Chicago, IL USA: Society for Cinema and Media Studies Conference (SCMS), 6-10 Mar 2013.

• Preston G., Wiles M., Harding B. and Shepard D. (2011) Round Table Discussion: Gaylene Preston and Guests. Te Papa, Wellington, New Zealand: Gaylene Preston Film Retrospective, 22-24 Oct 2011.

• Wiles MM. (2011) The Film Portrait of a New Zealand Storyteller: Gaylene Preston's HOME BY CHRISTMAS. Te Papa, Wellington, New Zealand: Gaylene Preston Film Retrospective, 23-23 Oct 2011.

• Wiles M. (2010) Moving on from Downstage and the 1960s Radio Play: The Resonant Theatricality of Jane Campion's 'A Girl's Own Story'. Los Angeles, CA, USA: SCMS@50/LA: Archiving the Future/Mobilizing the Past, 17-21 Mar 2010.

• Wiles M. (2009) An academic approach to genre. Christchurch, New Zealand: In Media, 28 Sep-2 Oct 2009.

• Wiles MM. (2009) Workshop: Reading Media Texts. Christchurch, New Zealand: In Media, 28 Sep-2 Oct 2009.

• Wiles M. (2008) From Historical Moment to Existential Myth: A Fait Divers in Jacques Rivette's Paris nous appartient. Dunedin, New Zealand: XIVth Biennial Conference of the Film and History Association of Australia and New Zealand, 27-30 Nov 2008.

• Wiles M. (2007) Seductive Doubles: The Contemporary French Cinema of Catherine Breillat and Eric Zonka. Chicago, IL USA: Society for Cinema and Media Studies (SCMS) Annual Conference, 8-11 Mar 2007.

• Wiles M. (2006) Julie Dash's 'Daughters of the Dust': The Gendering and Genesis of a Black Cinematic Aesthetic. Melbourne, Australia: XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, 16-19 Nov 2006.

• Wiles M. (2006) Narrating the Feminine Nation: The Coming-of-Age Girl in Contemporary New Zealand Cinema. Vancouver, Canada: 2006 Society for Cinema and Media Studies (SCMS) Conference: Media and the Americas, 2-5 Mar 2006.

• Wiles M. (2006) Surveying Suburban and Panoramic Perspectives: Theatricality in the Early Films of Jane Campion. Dunedin, New Zealand: Jane Campion: Cinema, Nation, Identity, 6-9 Dec 2006.

• Wiles M. (2006) Workshop: Youth Culture in Global Cinema. Vancouver, Canada: 2006 Society for Cinema and Media Studies (SCMS) Conference: Media and the Americas, 2-5 Mar 2006.

• Wiles M. (2004) Lethal Performances: The Origins of the Execution Film in an 'Electric Century'. Singapore: PSi10 "Perform: State: Interrogate" - Performance Studies International Annual Conference, 15 Jun 2004.

• Wiles M. (2003) Lethal Performances: The Origins of the Execution Film in an Electric Century. Christchurch, New Zealand: CSAA Annual Conference - Culture Incorporated - Bodies, Technologies, Habitats, 6 Dec 2003.

• Wiles M. (2003) Shame and the Crisis in Male Subjectivity: Laurent Cantet's L'Emploi du Temps. Minneapolis, MN, USA: 2003 Society for Cinema and Media Studies Conference, 6 Mar 2003.

• Wiles M. (2001) French Film et les femmes françaises: Restaging the Feminine in Jacques Rivette's "Haut bas fragile". Washington, DC, USA: 2001 Society for Cinema and Media Studies Conference, 24 May 2001.

• Wiles MM. (2001) Disability and Disavowal in Léos Carax's Cinéma du Look: A Disabling Postmodern Discourse? New Orleans, LA, USA: Modern Language Association, 27 Dec 2001.

• Wiles MM. (2000) Sounding Out the Operatic in Jacques Rivette's Noroît. Tallahassee, FL, USA: "On the Edge of Time": The 25th Annual Conference on Literature and Film, 27 Jan 2000.

Scholarly Editions/Literary Translations

• Wiles M. and Low. (2017) Out 1 or Suspended Meaning (essay by Suzanne Liandrat-Guigues).I translated French essay into English in collaboration with Peter Low: The Cine-Files.

• Wiles M. and Low. (2017) Rivette and Strong Sensations (essay by Hélène Frappat).I translated French essay into English in collaboration with Peter Low: The Cine-Files.

• Wiles M. and Low. (2017) The Act and the Actor (essay by Jacques Rivette).I translated the original French text into English in collaboration with Peter Low.: The Cine-Files.

Oral Presentations

• Wiles MM. (2015) Documentary Portraiture in Vincent Ward's 'In Spring One Plants Alone'. San Francisco State University, CA, USA.

• Wiles M. (2014) The Coming-of-Age Girl. Christchurch, New Zealand: Platform Arts Festival 2014.

• Wiles M. (2008) After-film discussion: The politics of Jacques Demy. Canterbury Film Society, Christchurch, New Zealand: Umbrellas of Cherbourg.

• Wiles M. (2007) Moving Backstage: The Films of Jacques Rivette. Melbourne Cinematheque, Melbourne, Australia: Jacques Rivette Retrospective: The Fantastic Realism of Jacques Rivette, 06 Nov 2007.

Other

• Wiles MM. (2016) "Episode 279: Celine and Julie Go Boating" The Projection Booth. [Podcast interview].

• Wiles MM. (2012) Speaking of Jacques Rivette. The Cine-Files Spring 2012(Issue 2) Savannah College of Art and Design, USA. [Written interview].

• Wiles MM. (2011) Douglas Morrey and Alison Smith, Jacques Rivette. Manchester: Manchester University Press, 2009, xi + 271pp. Historical Journal of Film, Radio and Television 31(2): 314-316. http://dx.doi.org/10.1080/01439685.2011.578905. [Book Review].

• Wiles MM. (2010) "A Gentle Voice in a Noisy Room": An Interview with New Zealand Filmmaker Gaylene Preston. Senses of Cinema(56) [Interview].

• Wiles M. (2008) Marked Women. Illusions 40(Winter 2008): 54-55. [Review].

• Wiles MM. (2007) Dr Mary Wiles and the Films of Jacques Rivette. 3 Jun 2007 SBS Radio, Melbourne, Australia. [Podcast].

• Wiles MM. (2000) Book Review of "The Girl: Constructions of the Girl in Contemporary Fiction by Women". Modern Fiction Studies 46(2): 565-567. New York.

Exhibition/Curatorial Exercises

• Wiles MM. (2011) Gaylene Preston Film Retrospective. Te Papa Tongarewa, Museum of New Zealand. 22-24 Oct 2011. [Curator and catalogue editor].

Student Supervision

Displaying all items.

Current
• PhD - Daniel M: "Normativity, Negativity and Queer Cinema in the Post-Millennial Era" (2020)
• PhD - Li X: Fight for Survival: Representations of Women in Geling Yan's Literary Works (2020)
• PhD - Williamson R: Maternal Representation in Film and Popular Culture Texts (2021)
• PhD - Zhang H: Urban Space and Migrancy in Contemporary Chinese Film (2022)
• Masters - Manji R: Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and Japan’s Nuclear Trauma (2020)
• Honours - Brodrick C: From Harold Pinter to Joseph Losey: The Servant, The Go-Between, The Accident
Completed
• PhD - Huang Y: "A Study of Narrative Cinema with Female-Protagonists directed by Chinese Post-Fifth-Generation Filmmakers" (2013)
• PhD - Song S: "From the Masculine to the Feminine: Eunuch Images in Hong Kong Wuxia Films from the 1960s to the early 2010s"" (2016)
• PhD - Sutton A: Ahua: Maori in Film (2007)
• Masters - Bacon E: Confronting Eternity: Strange (Im)mortalities, Revenance and States of Undying in Pre- and Postmillennial Fiction (2014)
• Masters - Daniel M: Rethinking Generic Representations of History: The Place of Subjective Perspective in Terrence Malick's Films (2016)
• Masters - Patrick T: "Legitimising Misogyny: Representations of Women in Three Shakespeare Films" (2014)
• Masters - Towart L: "John Cassavetes at the Limit of Performance" (2014)
• Masters - Vonderheide L: Literariness in the Films of Eric Rohmer (2007)
• Honours - Daniel M: 2013-Honours-Daniel, Mathew (2013)
• Honours - Downs-Woolley M: “It’s Alive” – Frankenstein’s Evolving Figure: Auteur and Social influence on Thematic Changes in Adaptation (2013)
• Honours - Maoate-Cox D: Holywood vs the Pacific: Representations of Polynesia in Four Films (2012)
• Honours - McIntyre P: 2012-Honours-McIntyre, Penelope (2012)
• Honours - Paterson G: "Charlotte and Cléo: The Aesthetic Journeys of Women in Film" (2016)
• Honours - Russell O: Reluctant Suburbanites: Representations of Suburban Masculinity in American Cinema (2019)
• Honours - Walley A: 2012-Honours-Walley, Allan (2012)

Review and Refereeing

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• Journal of Musicological Research ( 2009 )
• Studies in French Cinema ( 2017 - 2023)
• The Karma of Indenture: A for Apple ( 2014 )

Future Research

• feminism
• theatricality, film, gender