Research/Scholarly/Creative Works

• Kramer W., Johnston L., Kim K., Liu-yi R., Yuhka N., Smith A., Lee P., White T. and Le Cocq J. (2022) WaterMusic. Continuo/chamber performance & arranger: International Akaroa Music Festival, Gaiety Theatre, Akaroa. [Concert / Chamber Performance on Theorbo and Baroque Guitar; mixed ensemble]. (Performances)

• NZ Barok. (2019) Enchanted Forest - Descriptive Music from the Baroque. Theorbo and baroque guitar: St George's Church & St Luke's Church, Auckland. [Concert Performance]. (Performances)

• Parmenter M. (2018) OrphEus - a Dance Opera. Lute, baroque guitar, theorbo: Auckland, Wellington NZ. [Music performance]. (Performances)

• Le Cocq J. (2016) 'What shall we do after Wagner?' Karl Popper on Progressivism in Music. In Milan E (Ed.), After the Avant-Gardes - Reflections on the Future of the Fine Arts: 97-108. Chicago: Open Court. (Chapters)

• Le Cocq J. (2011) Talking of Michaelangelo. University of Otago, Dunedin, New Zealand: Symposium on the ongoing status of European high culture in New Zealand Aotearoa. Royal Soceity of NZ and the Centre for Research in National Identity at the University of Otago. (Oral Presentations)

• Le Cocq J. (2011) Andreas Scholl with Musica Sacra, conducted by Indra Hughes. Auckland Town Hall, Auckland, New Zealand. [Archlute, continuo and obbligato]. (Performances)

• Le Cocq J. (2008) Art and the Enlightenment Project. Policy 24(4): 36-39. (Journal Articles)

• Mews D. and Le Cocq J. (2008) The Fortepiano in Recital, including Giuliani Rondo op. 68 for guitar and fortepiano. Featuring D. Mews (fortepiano) and J. Le Cocq (Stauffer guitar). Great Hall, Arts Centre, Christchurch. (Performances)

• Le Cocq J. (2005) The Early Air de Cour, the Theorbo, and the Continuo Principle in France. In Wainwright J; Holman P (Ed.), From Renaissance to Baroque - Change in Instruments and Instrumental Music in the Seventeenth Century: 191-210. London: Ashgate. (Chapters)

• Le Cocq J. (2004) Modernism and Historiography. Dunedin, New Zealand: 21st Conference of the New Zealand Musicological Society, 26 Nov 2004. (Conference Contributions - Other)

• Le Cocq J. (2002) Commercial Art Music. Economic Affairs - Culture and Economics (Journal of the Institute of Economic Affairs) 22(2): 8-13. (Journal Articles)

• Le Cocq J. (2001) Qu'on te prenne, beau luth, pour la lyre d'Orphee...' Lute-Song in French Renaissance Poetry. In Brooks J; Ford P; Jondorf G (Ed.), Poetry and Music in the French Renaissance: 141-157. Cambridge: Cambridge French Colloquia. (Chapters)

• Le Cocq J. (2000) En mesure réglée...' Dance songs and musique légère in the early air de cour. The Consort - European Journal of Early Music 56: 3-16. (Journal Articles)

• Pogue SF. and Le Cocq J. (2000) Ballard [members of this family - six entries]. The New Grove Dictionary of Music and Musicians Vol. 2: 558-562. London: Macmillan. (Chapters)

• Le Cocq J. (1999) A Guide to Notation in the Air de Cour for Voice and Lute (The Ballard Editions, 1608-1643). The Lute - the Journal of the Lute Society xxxix: 27-45. (Journal Articles)

• Le Cocq J. (1999) Experimental Notation and Entrepreneurship in the Seventeenth Century - the Air de Cour for Voice and Lute, 1608-1643. Revue de Musicologie 85(2): 265-275. (Journal Articles)

• Le Cocq J. (1997) The Status of Le Roy's Publications for Voice and Lute or Guitar. The Lute - Journal of the Lute Society xxxv: 4-27. (Journal Articles)

• Le Cocq J. (1994) EN SAGA‐THE STORY CONTINUES. Economic Affairs 15(1): 59-59. http://dx.doi.org/10.1111/j.1468-0270.1994.tb00259.x. (Journal Articles)

• Le Cocq J. (1994) PAYING THEIR WAY? Economic Affairs 14(2): 40-40. http://dx.doi.org/10.1111/j.1468-0270.1994.tb00174.x. (Journal Articles)

• Le Cocq J. (1994) SOMETHING TO SHOUT ABOUT. Economic Affairs 14(4): 48-48. http://dx.doi.org/10.1111/j.1468-0270.1994.tb00213.x. (Journal Articles)

• Le Cocq J. (1994) THE POST‐MODERN MELEE. Economic Affairs 14(5): 50-50. http://dx.doi.org/10.1111/j.1468-0270.1994.tb00238.x. (Journal Articles)

• Le Cocq J. (1994) THE REAL THING. Economic Affairs 14(3): 31-31. http://dx.doi.org/10.1111/j.1468-0270.1994.tb00193.x. (Journal Articles)

• Le Cocq J. (1993) COUNCIL OF DESPAIR? Economic Affairs 14(1): 53-53. http://dx.doi.org/10.1111/j.1468-0270.1993.tb00091.x. (Journal Articles)

• Le Cocq J. (1993) LICENSED TO BORE. Economic Affairs 13(5): 31-31. http://dx.doi.org/10.1111/j.1468-0270.1993.tb01208.x. (Journal Articles)

• Le Cocq J. (1992) The Pitch and Tuning of the Lute in French Lute-Song, 1603-1643. The Lute xxxii: 46-71. (Journal Articles)

Editorial Work

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• Editor of The Consort - European Journal of Early Music, 1996-8 Editor ( 1997 - 2002)

Review and Refereeing

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• Referee for papers for MENZA (Music Education New Zealand Aotearoa) Conference. ( 2009 )